• SonicDeathTaco@lemm.ee
    link
    fedilink
    arrow-up
    2
    ·
    4 days ago

    The web site, meh, whatever, but Youthanasia? That album? I guess I will also celebrate the 30th anniversary of every time I’ve shit the bed since 1990.

    • AstralPath@lemmy.ca
      link
      fedilink
      arrow-up
      1
      ·
      3 days ago

      Dude are you kidding me? Youthanasia is an excellent album. It’s not their best, sure but it has so many highlights. Marty Friedman absolutely rips all over that album. One of his most memorable solos ever is on The Killing Road, Addicted To Chaos is one of Dave’s best lyrical efforts IMO and his voice is as good as it ever would be on this record.

      Youthanasia is 100% worth listening to. I’m just as much of a fan of their pinnacle records just like everyone else but this album is hugely underrated.

      • SonicDeathTaco@lemm.ee
        link
        fedilink
        arrow-up
        1
        ·
        3 days ago

        Like what you like. I do not like this record. It was the last Megadeth record I bought and I’ve listened to everyone since, at least once.

        I think the worst part of that album is Dave’s voice. I didn’t need Mustaine to be a better singer. To me, the more he tried to be, the more obviously deficent his voice was.

        • QuentinCallaghanOPA
          link
          fedilink
          English
          arrow-up
          1
          ·
          1 day ago

          My view on “Youthanasia” is mixed. It’s evident how Dave Mustaine wanted to chase the top of the charts and how many metal bands had a hard time staying relevant in the 90s. With 1992’s “Countdown to Extinction” Dave already attempted to streamline Megadeth’s sound in a similar manner to what Metallica did with their “Black Album” and it yielded success, so “Youthanasia” was the next logical step forward. The album succeeds in that streamlining, but it happens with costs one can expect.

          The overall mix is softer and more polished but it feels duller, especially compared to 1990’s “Rust in Peace”. Many songs have their tempo approximately at 120 BPM as the producer Max Norman wanted so, and their structure is conventional verse-chorus-type of thing. The strength of early Megadeth was in quirky song structures: technical guitar riffs, fast tempos and abrupt changes mixed in, and Mustaine snarled on top of it. “Youthanasia” has all that replaced with catchier songs and Mustaine attempting to sing melodically (“A Tout le Monde” as a good example). Yes, I get that Megadeth wanted to expand their sound and do something different, but is that evolution or many steps back? One’s mileage may vary.