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  • There’s a similar extremely visible movement in Barcelona. Tourism has always been a soft version of colonialism, but in Mallorca, Menorca, Formentera, Ibiza, Barcelona, and Valencia, it does double duty. These regions are economic powerhouses for Spain, but they’re former autonomous societies that were conquered and colonized by the Kingdom of Castille.

    While traveling there you’re likely to meet people who speak Spanish, German, English, and French out of necessity to communicate with tourists, but even speaking Spanish in these areas is an insult to their autonomy. The native language of Mallorca is Balearic Catalan. If you go to the Basque country and don’t speak the Basque language, you’re going to get some pushback. There’s a similar independence movement centered in Barcelona but popular throughout Aragon, Catalonia, and the Balearic Islands, and assuming the people you meet prefer to speak Spanish adds another layer of colonialism on top of the tourism.











  • Is there a clear business model? It seems like the goal is to make it free for collectives and non-profit use, and then collect fees from for-profit companies. The CC-NC-SA has an obvious business case because not everyone has the capability to set up and use the software, but it’s popularity can create a secondary market for people to pay for other people to host it for them -> leading to revenue. Basically the Freeware model with the addition of the source being open. With art it creates a carve-out for copyright that allows free sharing, but once the art is used in a commercial context, the artist should get a cut of the revenue.

    But if there’s a secondary market of collectives providing that service without the need to pay, wouldn’t they out-compete a privately owned service that pays for the software? Why would a privately owned service fund a software company that doesn’t want them to exist? Likewise, why would a corporation use an artist’s work that was shared under this license?