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Superheroes are pro-police propaganda. They teach you to be afraid of those who disobey the state rather than yhe state policies that drive impoverished and precariats to desperation.
What does Spidey do with the suspects he catches? He leaves them to get processed into the prison system where they can be used for slave labor, are subject to abuse by the staff and occasionally are killed by thirst or by getting braised in the showers.
White collar crime causes way more loss of life, more destruction and more cost than all the petty crime by multiple orders of magnitude and yet Spidey still goes after street goons. _The same for Batman, Superman, Wonder Woman, Ironman and Captain America. If they’re not fighting their own rogues gallery, they’re hunting street thugs.
They’re certainly not interested in the plutocrats who have captured our governments.
This is a weird take when “really rich guys doing depraved things” is a recurring villain trope across an awful lot of comic books and take up a huge portion of the narrative. Insane wealth is often framed so powerfully in these contexts that sometimes it can parallel superpowers.
The green goblin and doc oc are just really rich guys that do fucked up things! It’s implies that spidey puts goons and henchmen into the justice system because of course he does, what else is he going to do? His other options are killing them or just letting them get away with whatever the insane rich guy wants to do, which is often some kind of terror attack on NYC. And those both suck too.
Spidey is too busy trying to literally prevent some business tycoon from idk opening a demon portal under central park to also advocate for prison reform.
Just let the stories be fun.
The villains appear after the fact.
Spider-man, the Batman all the rest fight crime because (generic) crime is the problem. As with James Bond and SPECTER (SPECTRE?), there’s a point when the USSR and the cold war was too complicated to be an easy-to-punch baddie, even with the gulags and tanking, so James Bond got a Moriarty, a nemesis to fight instead. The superhero rogues galleries are what happens once it becomes awkward that all the superhero does, is as Garth Ennis put it beat up poor people. And so Jokers and Doc Ocs and Red Skulls are invented when the real Nazis are no longer a threat.
When we stick superheroes into the modern western world, the pretense is that the system mostly works, essentially that Ronald Reagan isn’t around gutting social programs, turning prisons into (pretty literal) gulags, fueling the war on drugs and otherwise making the federal and state justice systems into even more of a system of oppression than they were after prohibition (specifically to target non-whites, at that). In the DC and Marvel worlds, police are not overly brutal. Prisons are not overwhelmingly unhumanitarian (nor are they impacted). And yes, criminals really did make some avoidable bad life choices (rather than IRL getting steered into the school-to-prison pipeline).
Though the silver age, the system ran by magic capitalism, even as IRL industries were capturing the regulatory agencies that were supposed to prevent them from driving precarity and poverty to 80%+ of the nation (and thereby fueling the white Christian nationalist movement that is taking over the federal government and many states today).
Through the dark age (that is 1985-1995-ish), Batman sometimes killed, but Frank Miller noted that the thugs were so awful that they deserved it. The criminal element were painted as literal undesirables you could do anything to without moral concern. Sure, Arkham Asylum was a literal dungeon and the jails were infested with rats, lice and scabies (as they are IRL) but it was okay not to give half a fuck about the inmates, because we know what they did.
And yes, even when the current MCU villains have a point, they are obligated to offer a solution that involves decimating the public, so that they can be waved away as too radical, and the Avengers can go back to serving the establishment plutocracy (and not the public). Heck, even Adrian Veidt (Ozymandias in Watchmen ) killed half of New York in order to stop a nuclear holocaust.
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If being able to point out the biases within a medium sucks the fun out of it, then there are bigger problems that belie the medium… or the fun.
To be fair, the biases of comics are typical throughout movies and television as well. As I noted elsewhere, the GCPD in Gotham what is supposed to be the nadir of police corruption is actually less corrupt and more concerned about public welfare then every police department in the United States. Considering all the content produced by Dick Wolf consumed by Americans, it’s no wonder we have cognitive dissonance when we see video footage of real-life officers gunning down detained suspects or escalating non-violent incidents.
There are many ways to approach this. My wife still enjoyed true crime television recognizing that the world portrayed is not the one we live in. You can continue to read comics, but look for ones that take steps to move the dialog forward. It’s what some folks did regarding the wizard game.
You can also look to recognize that you are really in a cyberpunk dystopia in which our plutocratic masters want to keep you harmless and then exploit you as a laborer or soldier until you are depleted and need to be replaced, and your own story is how you break out of that paradigm. So there’s grounds in all our lives for hero stories.
… you might be reading too much into a silly superhero. He fights a man with mechanical tentacles named ‘Doctor Octopus’. He has an enemy who is literally just a stage magician called ‘Mysterio’. There are several animal-people. One villain is literally made out of sand.
It’s… generally not that deep.
The MCU is one of the biggest moneymakers in Hollywood. It is literally Disney’s flagship media line and curiously when they attained Spider-man from Disney, the first thing they did was pull Spidey out of poverty and put Aunt May on the Avengers payroll.
It may not be that deep in the comics, but it’s still teaching kids the way to fight crime is to punch them in the face, break their legs and put them in an impacted and inhumane prison system.
Just like Ronald Reagan, George H. W. Bush and Dan Quayle taught us we should do as they were subsidiIng the prison industrial complex and pushing the War on Drugs.
I’m not saying you shouldn’t enjoy Spider-man. I read Spider-man as a kid and my grandson does today. He also fantasizes about punching baddoes in the face, and I can only hope he’ll realize that’s fantasy before his first real encounter with law enforcement.
Alright but 99% of my memories of superheroes as a kid weren’t them fighting crime, but them fighting supervillains, which is generally the main draw for kids.
It still instills a dynamic that the best way to solve disputes is by force and that some parts of the public are undesirable by fiat.
Given the current affairs of the US in which half our federal officials are trying to outlaw trans folk, I’m hyper-aware that this is a bad message to give.
It still instills a dynamic that the best way to solve disputes is by force
How often is it that superheroes start the violence? Or are you suggesting that smiling as your teeth are knocked down your throat should be the reaction, here?
and that some parts of the public are undesirable by fiat.
… given the predilection of comics for redemption arcs, antiheroes, the struggle of being different, and the fucking X-Men, I’m gonna have to press X to doubt on that.
Given the current affairs of the US in which half our federal officials are trying to outlaw trans folk, I’m hyper-aware that this is a bad message to give.
You’re hyperaware that a message that isn’t being sent is bad. Okay. I’m very aware that Teletubbies advocating genocide is bad. Good thing that’s not at all relevant.
How often is it that superheroes start the violence? Or are you suggesting that smiling as your teeth are knocked down your throat should be the reaction, here?
Here in the US, law enforcement escalates to force far more often than they encounter someone who is already aggressive, so it raises a question why villains in comics so consistently engage first?
The propaganda is in what is implied. Redemption arcs are the exception not the rule, and the implication is that most villains don’t get redeemed.
Now maybe it’s because they know their audience wants to see brightly colored supers knock the tar out of each other, and that might be true, but in the context of police work or vigilantism, it does paint human civilization as a lot more violent than it is. How often do heroes see violence break out during their day to day life (rather than, say, tracking it by police radio?)
I get that you don’t want your hobby criticized too sharply. Still, have you seen Spider-man stopping Proud Boys from harassing a drag queen? Have the avengers interposed themselves between a BLM demonstration and the police armed with CS-gas and riot munitions? (I really don’t know if they’ve done these things. I’d be delighted to see right-wing culture wars cross into the MCU, but Disney has their own opinions about their right to continue capitalizing.
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Here in the US, law enforcement escalates to force far more often than they encounter someone who is already aggressive, so it raises a question why villains in comics so consistently engage first?
… because superheroes aren’t cops?
This is not in any way a normal reaction to a image of a woman in a catsuit called Black Cat singing showtunes from the musical Cats.
Take your hangups somewhere else.
But you still get people’s unconscious biases influencing their work.
Sure, but that could be said for any media, and saying that superheroes as a whole are just pro-cop propaganda is way over the line of what is a reasonable interpretation. I’m not even a big superhero guy and I recognize that. Shit, a big part of a lot of these superheroes is that the cops aren’t their friends and are part of the reason why they hide their identity.
Yeah definitely. But it’s still good to examine the assumptions of the paradigm to know what it’s viewpoint is. I agree, I don’t think it’s intentional and I wouldn’t call it propaganda. But it’s always good to try and find the pov things are written from.
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Philanthropic foundations are known to be a really poor way to actually fuel change in a neighborhood, but a great way to get tax breaks and some positive marketing. We knew that when Andrew Carnegie dumped a bunch of his own money into community works.So no, the Wayne Foundation is no such program. However, note that because of Bruce Wayne’s charitable contributions, you managed to believe that was a way that a billionaire might be remotely ethical. A lot of people would like to believe that people who are filthy rich can keep their money and be ethical. It’s really not possible.
It comes down to what are they fighting for? What is it that the rich businessmen are trying to do that Iron Man must stop them? What is Iron Man and Batman protecting?
The status quo. If we imagine that this is fine and that our civilization is intrinsically good and just needs protection from some external evils, then sure, it’s just like every other 1980s TV show.
And you know, when the fossil fuel industry was able to effectively obfuscate that we weren’t headed towards global ecological collapse (because in the 70s, few people had heard of the Holocene extinction, and the crying Indian was telling them it was their fault that the environment was trashed). Batman isn’t fighting to end industrial control of the government of Gotham (and the whole US). He’s fighting to preserve his own control of government.
That said, I read Batman mostly in the eighties and nineties, After BTAS, the later animated series dropped in quality, and movies got really strange after the Nolan films and the DCEU series emerged. But The Batman the most recent one actually acknowledges how the paradigm typical of the late 20th century (and the MCU and DCEU in the 21st) are more like pro-wrestlers.
But then, that is consistent with hypotheses that human society is infantilizing, and are less interested in seeing reflections of our own world as we are some dudes smacking each other around on a stage or in a cage.
That’s literally so wrong.
Why did Spidey become a hero in the first place? Because the cops couldn’t find the killer, so Peter did and killed the guy. Which was not justice.
So many heroes of NY in Marvel are focused on justice and the concept of what is justice. The Punisher kills, Daredevil punishes, Spidey is learning. Sometimes he lets people go, otherwise he believes imprisonment is an alternative. Sometimes there is an option that don’t fit either.
The point is Spider-Man knows killing isn’t justice and the cops/system doesn’t either, he literally is an enemy to police always. He simply is trying to make a dangerous world a little more safe in his local area.
Fuck out of here with your fake ass political take. Especially such a terrible one.
There’s a reason the Punisher is the unofficial mascot for the Thin Blue Line community.
In the Spider-man series, what is the problem that is plaguing Queens, that is driving Spider-man to vigilantism?
Punisher’s creator hates that cops use the Skull:
You’re barking up the wrong tree with your misguided “superhero’s are police propaganda” there’s plenty of heroes who go against the cops, like the Punisher, and plenty of villains with valid points, like Magneto. Overall Stan Lee and Jack Kirby created the heroes they created together to inspire their readers to be good people, and they created those heroes in very inclusive ways to represent all of us and our flaws.
Magneto has to threaten the lives of thousands (if not millions) so that he can still qualify as a villain and his valid points can be dismissed. The same is true of all the other masterminds who want to shift the world from the status quo.
To be fair, maybe you’re right and police in comics set in the United States from 2016 - 2023+ routinely escalate non-violent situations to violence and routinely kill people who are neither armed nor resisting, sometimes who aren’t even responsive, and are then cleared of wrongdoing by internal affairs. Maybe police in these comics do over-police non-white neighborhoods and harass people on the street for no pretextual reason other than they looked suspicious Maybe in these comics houses routinely get breached-and-cleared by SWAT teams sometimes leading to the injury and death of whole families. Maybe police in comics are addressing homeless by raiding tent colonies with CS gas and batons, sometimes killing or hospitalizing children among their victims.
If they aren’t doing that then they’re misrepresenting the police across the nation.
And yes, maybe young people in well-to-do suburban communities would rather see superheroes punch the tar out of brightly colored crime clowns than face the real circumstances in their society. In capitalism, the house always wins.
The punisher literally kills cops he deems to be corrupt and hates cops that admire him. Conservatives have literally no media literacy, is Killing in the Name pro cop because the Thin Blue Line crowd was dancing to it?
Yes, a concession that lends the assumption that some people in law enforcement are not bad, are not part of an institution that is actively oppressing the public.
I’d say this is no longer the case but has always been the case for large swaths of the US population. We just now have a regular stream of videos of officer involved homicide.
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Stories of heroes are as old as written word and likely older.
And it surprises me that we don’t introduce new paradigms. As Red (from OSP noted) The Scarlet Pimpernel was an early superhero (mostly with unearthly levels of panache) who rescued French aristocrats from (those evil, murderous) revolutionaries.
Part of the problem is that the narratives we get are made by companies that don’t want us to think about why we have super-agencies like SHIELD, and who are they serving (hint: The same people that are served by CIA, DHS and special forces we send to undeveloped countries).
Imagine, for instance, a citywide industrial strike (because our teachers / freight drivers / baristas / dockworkers / etc.) are underpaid, get no sick leave and have shitty healthcare for themselves and their families. They can’t live like this, but the company management is beholden to shareholders who want their money (and will litigate to keep dividends high). Management thinks (much as in Hollywood right now) they can just wait it out, even if the economy is tanking, the workers will start getting hungry. (Yes, it’s a literal siege.)
But the neighborhoods and developed mutual aid organizations to help the strikers and keep them from being forced to return to work…
So…the state governor sends law enforcement to bust up mutual aid stations. Violently. With dogs and shooting. (ICE does this kind of work frequently, as part of Customs Enforcement That’s why they were in New Zealand to raid the Kim Dotcom estate)
And then street-level superheroes (like Spider-man!) emerge to defend the mutual aid groups from the police anti-riot teams. (Eventually the companies will hire mercenaries, much the way they did to attack the water protectors stopping the Dakota Access Pipeline, which would become the opposing rogues gallery)
This is a superhero story I could get behind, since it’s actually about serving the public good, rather than an establishment that wants to replace us with robots or AI generative systems ASAP.
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Stories that reflect truth is a different set (with some intersection) as stories that are popular, which is a different set than the stories that are produced and promoted. We can see from the gutting of Firefly and the post-release market of Inception how Hollywood management kills stories they don’t like despite their popularity. (It’s also why we only have 2.x seasons of Star Trek TOS).
As someone with only a fraction of the skillset and no resource that give me inroads into the publishing industry, I’d have a snowflake’s chance in Hell of creating something that could be released. I suppose, I could self-publish but that would still require more resources than I have.
None of this changes the assumptions made in the Marvel and DC diegeses, that police are inherently well-behaved and reserved, despite what we see IRL (as I mentioned elsewhere, the Gotham City PD is less corrupt and more concerned about public interest than _any IRL precinct in the United States, or the DHS and its subdivisions, but also Gotham has a crime rate that is outrageously higher than any municipality in the US – the Cabot Cove problem) None of this changes that these differences inform people how they see the US legal system much the way that true-crime fiction and police procedurals serve as pro-law-enforcement propaganda.
These also fuel the great man myth, that it is singular powerful individuals that affect change in the world, and not collectives of ordinary folk among the public.
Superman’s primary villain is literally a white collar criminal that uses the system in order to stymie efforts to hold him accountable. A lot of superhero media could stand to be more critical of the police and prison system but it’s a little more complicated to dismantle capitalism than it is to foil violent crime and respond to accidents and disasters.
Yes, and the society that Superman lives in is one that is inherently good and functional, and just needs to be groomed once in a while (or defended from exterior elements).
Granted, they tried to get Superman to force nuclear disarmament, and that didn’t go so well.
Superman is actually the zenith example of defenders of the status quo. Superman’s job is to return things back to normal which IRL we can no longer pretend is acceptable.
I don’t think every piece of media has to promote revolutionary politics in order to justify its existence.
Well, this was a point that was even made in Superman 1978, in which culture was recognizing the modern age as becoming too corrupt and complicated for a simple superhero. It’s still possible to enjoy it, but the Superman narrative, in failing to keep up with the times loses its relevance. That’s okay. People still like swashbucklers too.
Well, there are still villains like Lex Luthor, Kingpin and Amanda Waller to represent the actually evil part of society. They’re just a minority because goofy over-the-top villains in silly costumes are more entertaining for the kids.
would you rather they kill the villains than send them to prison?
So these are the only two options?
US prisons are nightmare fuel. And law enforcement officers routinely kill suspects who are neither armed nor resisting.
It does raise questions of why villains exist, except as something that heroes can punch without thinking about it.
for spiderman and most super heroes yes that is the only option they can’t exactly afford to run their own private secret prison focused on rehabilitation so the only other option is let them go blow up more hospitals cause oh well us prison bad yeah but so is dangling a bus of school kids off a bridge
That is a seriously dark position, but I get it. Very much the way that the only solution we have for people considering suicide is to lock them up in an institution where they have a 30%+ chance of being abused by the staff (orderlies like to get handsy and nurses like to get everyone on tranquilizers so they’re not too much trouble). So do we leave our despairing friends on their own to kill themselves, or send them to a facility that could actually be living Hell.
Actually, seeing Spidey confront such matters would be a real treat, and might drive him to look towards underground reform and start a mutual aid program. But that’s not as fun as seeing him punch Vulture in the face, is it?
In the meantime, we don’t have many hospitals getting blown up, or school busses dangling off bridges, IRL. They have to make that stuff up to justify that someone needs punching. It’s like the ticking time bomb scenario (would you torture someone who knew how to defuse a city-busting bomb?) And those scenarios (which appeared in 24 Hours ) were used to justify torture during the War on Terror. And the US still tortures to this day.
This is propaganda in action, especially if it’s convincing you the monsters out there are ones that blow up schools rather than the ones that just make sure they will have no choice but to join the army the day they age out of high-school.
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Avengers: defenders of the status quo
I think comics and the movies are afraid to change the baseline world too much because then it’d be less relatable and require more explanation. Part of the fantasy is imagining super heros in our world. That becomes difficult if the baseline world of the comics and movies is drastically different.
That being said, I’m sure the MCU hugely sanitizes it’s messages. For example, their solution to systematic racism in falcon and the winter soldier was a just a speech saying to do better.
But it’s really fucked up that they never change anything. Fortunately for the viewer every “villain” kicks a puppy at some point making every social criticism invalid.
Seriously. I guess compelling villain now just means objectively right, with a side of mass murdering innocents.
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Sorry, Superheroes: defenders of the status quo
Edit: for more info please read “The utopia of Rules” by David Graeber
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I guess it depends on what you consider fun. I can enjoy reading Heinlein or Clancy even when I don’t agree with their biases, even when I see prejudices pervasive for the era.
But even the need for escapism is telling, since it implies what we’re escaping from. It’s much like the rap genres that talk about having extravagant amount of wealth and women, and the suffering to which that appeals is palpable.
Beating the tar out of the bad guy, or seeking some heinous bastard get shot in the face by Bruce Willis appeals to the same thing that true crime fiction does (police procedurals: Dragnet, Law and Order, anything by Dick Wolf) they reassure us that justice gets done. Even if by a brightly colored fantasy vigilante. Or in the latter case, that justice is meticulously fair and impartial, and still gets its man.
ha, what a funny moment from a spider man comic!
what the fuck is going on in the comments.
You can’t just enjoy comics without someone spouting their political nonsense on the internet.
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