Furiosa’s opening weekend numbers have been a point of discourse for many trades after its release. As reported by The Hollywood Reporter, Furiosa slumped to a $26 million gross between Friday, May 24, and Sunday, May 26. However, Furiosa was released over the Memorial Day weekend, taking its estimated domestic total to between $31-33 million. Concerning how Furiosa fared overseas, the reading is not much better. In territories outside of the United States and Canada, Furiosa: A Mad Max Saga earned around $33 million, taking its worldwide total opening weekend haul to a lowly $64-66 million.
Although Furiosa is receiving positive reviews, its box office returns for its opening weekend are underwhelming. Many could point to the film itself and wonder why Furiosa specifically is not resonating with audiences, though the issue is much broader than any one film. Instead, Hollywood as a whole has been suffering with box office success in recent years, with a variety of reasons factoring into this disappointing stretch of failed movies. Furiosa, unfortunately, is simply the latest in a long line of underperforming movies that, if its great reception is anything to go by, should be earning much more.
The first problem facing Furiosa has affected other 2024 releases like The Fall Guy. Since the COVID-19 pandemic, the wait time between a movie ending its theatrical run and being released on digital is increasingly shortening. The Fall Guy’s poor box office was capped off with the announcement it would release on digital only two weeks after releasing in theaters. This shrinking wait time is causing audiences to stop spending money in theaters in favor of cheaper, home-video options, which has evidently impacted Furiosa too.
Aside from wider industry problems, Furiosa’s status as a prequel is likely a factor contributing to its poor box office. In recent years, prequels to giant movies simply do not have the same pull as they once might have. Some instances include Solo: A Star Wars Story and The Hunger Games: The Ballad of Songbirds and Snakes, both of which grossed significantly less than their other franchise installments. Furiosa is now following suit, with a prequel to Mad Max: Fury Road obviously not high on the list of stories general audiences desired.
I did also get this in my feed: Anya Taylor-Joy Is The Reason Mad Max Is Failing And It’s Not Her Fault
While she doesn’t bring the same physicality to the role as Theron, I think she did a good job in the lead, especially with so few lines.
She was great. The movie was too long, too unfocused, and generally undercooked (bad CG, etc).
Some more time in the editing bay and the VFX shop and I think there would be a solid 9/10 movie there. As it stands, I’d call it a solid 7/10… but it’s 2024, and 7/10 isn’t going to get people into an inconvenient, overpriced, impractical theater.
MOST movies are too long these days. Lopping 15 or even 25 minutes off many would make them a better movie overall.
Agreed. I thought the movie was a great addition to the Mad Max films. As others have pointed out, some of the CGI was lacking, but other than that it was extremely enjoyable and well paced.
Interesring read I haven’t seen it yet and am a fan of ATJs other work, but it kind of backs up my gut feeling she is an odd choice. Though I think I’m mainly disappointed we didn’t get more Theron Furiosa.
I definitely will see it, but don’t have a burning desire to go out to see it. In fact talking about it is making me more eager for another of rewatch Fury Road instead. I guess others are thinking similarly.
Apparently, Miller wasn’t happy with the de-aging technology.