For some reason I’ve just never liked Spider-Man. He comes off as a whiney, ignorant child that never seems to grow up or mature despite everything he goes through. I love a good coming of age story, but he just never seems to become an adult.

  • j4k3@lemmy.world
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    Tony Stark - oligarchic propagandist for normalizing the myth of exceptionalism

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      I like him because he would loudly agree with you, then let you pick one of his sports cars for having the balls to call him out.

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      Stark was literally written to be a character that people should by all rights despise but was nonetheless a hero. That was entirely the point of him.

  • TheAlbatross@lemmy.blahaj.zone
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    Superman. He just does everything and wins. Unless you show him a green rock.

    It’s stupid. I don’t understand how it ever interested anyone.

    • Susaga@sh.itjust.works
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      First, the appeal of Superman is his heart more than his strength. There’s one comic where he fights a giant robot and stops a runaway train, but the scene everyone remembers is when he talked someone down from the edge of a building.

      Second, Superman may be invincible, but Lois Lane isn’t. It’s easy to defeat a villain, but much harder to defeat them while also keeping Lois safe. And she actively invites danger, so it’s always tricky keeping her safe.

      Third, not every problem can be punched. Luthor’s greatest weapon against Superman isn’t kryptonite; it’s Public Relations. You can punch a monster, but that won’t help you stop a smear campaign.

    • He’s OK if you stick to classic Superman. He wasn’t a god, back then. Couldn’t turn back time, out-speed The Flash, or fly into the sun and pupate for a hundred years into some ultimate being.

      He became increasingly absurd over the years.

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      I’m a big fan of Supes myself, but it depends on who’s writing him and what the goal is.

      He is at his best when it’s a problem he can’t punch away, it’s about courage, and honor of defending others. Superman without powers is still the same stand up powerful character, that is crux of what makes him interesting.

    • tal@lemmy.today
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      Yeah, I don’t think that it’s a fantastic recipe for a character. The powers restrict the plots.

      I think that less-potent powers tend to make for better story.

      A lot of fictional series in various formats – not just comic books – make characters or events more-important or more-powerful over the course of the series, to top each previous episode, and I think that the plots tend to become increasingly constrained late in a lot of series.

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    Jane Foster when she was the wielder of Mjolnir. Not for anything about her personally, but the fact that Thor was treated as a codename. It’s the dude’s actual name, it’d be like if Sam Wilson went around introducing himself as Steve Rogers when he took the Captain America mantle. It’s happened a few other times like with Eric Masterson, but at least he had the excuse that for most of the time he used the name he and the actual Thor were sharing a body.

    • RecluseRamble@lemmy.dbzer0.com
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      I think it’s both, his name and his power. In Thor 1 when Odin sends Mjolnir to earth he whispers to it something like “May he who’s been worthy possess the power of Thor”.

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          Because the point was to show that he’s worthy without completely changing him. Same with vision.

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            I thought vision was able to lift the hammer because he wasn’t a living being? At least I came to that conclusion because he never possessed the “power of Thor”

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              Vision is alive. His body is composed of living tissue woven together with the mind stone and vibranium. That whole speel by Stark arguing that vision could only lift the hammer in the same way an elevator would was him rationalizing why his creation was worthy but he wasn’t. The whole point of the scene where vision lifted the hammer for the first time was to show that he could be trusted. Because at that point, almost everyone had their doubts.

      • eightpix@lemmy.world
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        Yeah, I don’t mind it. Thor is a name and a title/power. God (presumably) is a name, and Thor has the power of a god.

        Prince is a title. It’s also a name. And, to some musicians, Prince is a god.

        It’d be rare to win an argument by invoking Prince, but there you go.

    • Nibodhika@lemmy.world
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      Excuse me, but that’s always been the case. The first ever appearance of Thor is in Journey into Mistery #83, that’s before he had his own comic, in that comic a guy called Don Blake finds a cane, and when he grabs it this happens https://static1.cbrimages.com/wordpress/wp-content/uploads/2020/04/journey-into-mystery-83-thor-debut-1.jpg

      So Thor has always been the title of the person in possession of the Hammer, he converts himself into Thor by grabbing the hammer, the movies then changed that because in the Marvel Ultimate universe it’s different, but Jane Foster is from the original comics, where holding the hammer made you Thor, and she did exactly that in the 70s, just a couple of decades after Don Blake.

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      Marvel ran a miniseries called “Battleworld.” Yadda yadda, Dr. Doom a single planet composed of all the different Marvel timelines. The police force controlling everything is the Thor Corps, which includes dozens of different iterations of Thor, including a Groot Thor.

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    The Flash.

    Not because I don’t like the character but because he honestly should be one of the strongest characters in DC but they constantly nerf him in the writing because they realized just like superman he could literally just show up and fix everything before anyone else even realized there was a problem

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    Don’t hate spiderman. Hate the writers roughly since 2000 that only let him have a break from misery when he’s in an alternate universe where he never became spider man.

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      Having been introduced to Spider-Man through comic books, I always disliked him. And the comics came out well prior to the 2000s. I always just found him obnoxious.

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      To be fair the comics do him much worse, he kills his first girlfriend trying to save her, he kills his wife with his radioactive sperm, he’s the ultimate tragic hero.

      However I don’t think that’s what OP is talking about, I think he’s talking about how it keeps getting rebooted so Peter Parker never grows old, he’s forever a teenager. In the comics it took time, but he did eventually become an adult, during the Civil War he’s an adult for example.

  • 🇰 🌀 🇱 🇦 🇳 🇦 🇰 ℹ️@yiffit.net
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    I have to assume you’ve only seen the Spider-Man movies of recent years and not the comics, the original live action show, or the 90’s animated series.

    All of those go well into Peter Parker’s adult years and he’s a much more likeable character. I don’t particularly like what they have done to him in the modern stuff (outside of Spiderverse since Miles is a totally different person anyway). It doesn’t help that it’s been rebooted 3 times so all they’ve shown is his origin story a bunch of times. I can’t stand modern Spidey, either. And it’s extra infuriating because Spider-Man is my favorite.

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      I’m starting to think maybe we just related to the whiney teenager more when we were one, (looking at you 90s TV show) but experiencing him as a jaded adult just doesn’t hit the same.

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    Batman. He’s a billionaire playboy living in a city full of poverty. He may not kill but he has no problem crippling someone for life. And the fact he apparently learns nothing about the joker over the decades has resulted in so so many people dying to the joker’s schemes.

    And the reality is that he’s still that same child in that alley but in an adult’s body. He takes on different child robins because he never grew past that. He has trauma that was never treated and one of the main symptoms of trauma is being stuck in the time period that the trauma happened. He doesn’t really have a personality beyond the trauma.

  • poo@lemmy.world
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    All of them. Can’t stand the superhero-dominated media market.

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      I agree, they are just not for me either… It just feels the cinema industry focusing on what is safe to sell well enough.

      Maybe the original material (comics) is way better than what I could see on TV growing in the 90s , not sure.

      • poo@lemmy.world
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        Yeah it’s just such a simple and easy topic. Studios funnel all their money and focus into a genre that requires no creativity.

        After Iron Man 2008, sure it was neat for a few years to see a “connected universe” but it’s a bit of a joke now…

        That’s what makes me the most excited for auteurs like Francis Ford Coppola or Lynch or Aronofsky or Tarkovsky - I watch movies to be immersed and feel something, and blam-blam-boom-booms have just never done it for me.

        I prefer film-as-art over film-as-entertainment I guess?

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          The word is pretentious. Both types are great, but ivory tower types who name drop basic Artisic™ directors like they just took their first film class I find to be more irritating than people who just want to have fun.

          Be more Ebert, less RT Meter.

          • poo@lemmy.world
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            Wow, you must have lots of friends and be fun at parties, dick 😂🤣😂

            • TheControlled@lemmy.world
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              Pretty much yeah! Imagine that, someone who thinks you’re a try-hard poser actually has a rich life and is usually the host of many parties filled with authentic people who would gladly mock, openly, the thoroughly asinine dog shit you said above. Maybe nicer though.

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      Fuck, you are so cool. Edgy and cool. Too cool to like a single super hero which are diverse and many! Finger guns Please, dunk my nerd face in the trashcan.

      Cool, hip people hate superheroes and downvote me for saying you’re a contrary, close minded, jerk off.

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    I really can’t stand Damian Wayne I just find him annoying and bratty.

    If anyone has any good story recommendations with him I would like to hear about it.

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      At first I thought you said Damon Wayans, and for the first time in ever, I thought about the movie Blankman.

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      That’s why I liked Super Sons so much. Damians saltiness gets perfectly balanced out by Jon’s sweetness.

      That’s also why Bats amd Supes are such a good duo, they play off each other and through that complete each other.

      Damn you Brandis for taking Super Sons from us Angrily shakes fist at sky

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      I recommend Batman and Robin by Tomasi & Gleason. What’s great about Damian being annoying and bratty is that it allows some character growth. Unfortunately, whenever a new writer takes over, it results in him regressing back to his previous characterization.

      I also recommend Batman and Robi n with Dick Grayson as Batman. Its has an unique take on Dynamic Duo with a serious Robin and Light-hearted Batman.

      If you like those you can check out Robin Solo run and supersons as well.

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        I check those out, another person also recommend supersons, and I will look into it it sounds like something I would like.

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    Cyclops. What a toolbox.

    And in the X-Men ‘97 reboot, WOW! have they ramped up the toolbox factor.

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    She-Hulk, read a few of the comics, saw another version, I don’t get the appeal. So she’s a lawyer, so is Daredevil, it’s a job that doesn’t lend itself well to perilous adventures. Filing a brief…at the edge of madness! She forgot that the county clerk’s office is closed on Memorial Day (US observed)!!! Dun dun duuuunnn

    • 𝕽𝖚𝖆𝖎𝖉𝖍𝖗𝖎𝖌𝖍@midwest.social
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      I kinda hate all spin-off superheroes. Supergirl, Superdog, Batgirl; although it’s mostly _Girl versions of _Man. You never see WonderMan. WhitePanther wouldn’t get much love. It just feels like wringing the ol’ franchise of every last drop of blood.

      Sometimes it bites me. SpiderVerse is supposed to be good, but it breaks my spin-off Rule.

    • tal@lemmy.today
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      So she’s a lawyer, so is Daredevil, it’s a job that doesn’t lend itself well to perilous adventures.

      Perry Mason’s kind of a Sherlock Holmes-type character. Not a superhero, but a lawyer character who does get into dangerous situations.

      https://en.wikipedia.org/wiki/Perry_Mason

      Perry Mason is a fictional character, an American criminal defense lawyer who is the main character in works of detective fiction written by Erle Stanley Gardner. Perry Mason features in 82 novels and 4 short stories, all of which involve a client being charged with murder, usually involving a preliminary hearing or jury trial. Typically, Mason establishes his client’s innocence by finding the real murderer. The character was inspired by famed Los Angeles criminal defense attorney Earl Rogers.