• xkforce@lemmy.world
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    8 months ago

    Women and girls usually end up in a relationship by the end of the story and/or are the ones needing to be rescued. Its formulaic, boring and sexist due to the comparative lack of the opposite occurring. eg. men needing to be rescued.

    Like… even if you did not give a single shit about sexism, its the same tired plot points over and over again. It has Hallmark channel writer energy. Create a second plot I beg you.

    • GregorGizeh@lemmy.zip
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      8 months ago

      I agree with you on principle, but i feel it has reached a point where the circumvention of the classic tropes has created a new and also very formulaic stereotype: the “empowering“ woman. Must be strong, butch, evidently better than men in something typically associated with men, and if by any chance she is permitted to be classically feminine she must either be a lesbian or emotionally fucked up somehow. Bonus points for leather jacket and shades.

      It is probably the better trope but i find it similarly boring at this point. Very performative and often with little relevance to the story being told.

      • VelvetStorm@lemmy.world
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        8 months ago

        They also can’t have any scars on their face that could make them less attractive. Hester shaw from the predator city books had her fucking nose cut off and the scar also took off some her her top lip yet in the fucking dog shit movie they made she looks like this

          • emptybamboo@midwest.social
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            8 months ago

            I think it might be partially prettiness but I think it is mostly practicality. If the makeup is that difficult, it will take hours every day to put on. It can be hell on the actors. I remember reading about Peter Ustinov who played Hercule Poirot in “Murder on the Orient Express” but refused to do it for “Death on the Nile” because he did not want to have to wear that makeup in Egypt.

            You have to make sure complicated makeup always looks consistent. It would have been really hard to do that in a series over multiple years.

            One other example I can think of is Katniss in The Hunger Games. If you read the novel, her body was REALLY broken. I think her entire body was covered in burn scars. It would have been very hard to do that in the film consistently (though I will note that in the novels, the scars are not on her face. I saw it as symbolic of the inner scars of the Games).

            So I think it is partially aesthetic but mostly practical.

        • callouscomic@lemm.ee
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          8 months ago

          Now, to be fair, in the Punisher TV show they also refused to make pretty boy Jigsaw actor look as fucked up as his face really SHOULD have looked according to the comics.

          Also why some characters that NEED to be wearing masks or helmets conveniently are not. Like in race cars or in space. Or the face protection is unrealistic so we can still mostly see them.

          There’s also some funny times where comic characters who can’t breathe in space are merely wearing a small covering of the mouth, and maybe nose, but not eyes/ears.

      • starman@programming.dev
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        8 months ago

        Must be strong, butch, evidently better than men

        And this writing style often results in complete lack of character development. Because how would you develop a character that is ideal from the start?

      • bluGill@kbin.social
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        8 months ago

        That one is worse in my mind as baring steroids men will be physically larger and stronger than women. women should have motivetions other than marry a strong man (nothing wrong with wanting a good husband, I know many young girls looking for one - but please don’t be the cardboard that is all I want)