Not only that, but it works fine when I request the desktop version. Wonder why…

  • @TeddE@lemmy.world
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    1210 months ago

    There’s a workaround for this issue.

    1. Go to https://open.audio/ or https://funkwhale.audio/#get-started
    2. Register for an account.
    3. Enjoy over 30k hours of creative commons music, freely shared.

    FunkWhale is another decentralized service like Lemmy or Mastodon. (It also runs on ActivityPub under the hood.) Most of the publicly available pods only share creative commons material, simply because it’s the easiest to share, but artists can share under whatever license works for them.

    If you’re technically inclined, you can run your own pod and load whatever music you own onto it, and share it with others (I presume you’ll take care not to share beyond whatever license you have permits). Pods sharing pirated music exist, and they obviously should be avoided. Even if you’re not technically inclined, many pods allow you to upload some amount of music, you’ll want to double check the server’s rules to determine if that can be used for your personal library.

    • Hellfire103OP
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      10 months ago

      Thanks for the suggestion, but I was only using SoundCloud to listen to a friend’s new song.

      Not only do I already have an account for Funkwhale, but I also have a formidable local collection of DRM-free music in the form of CDs and Ogg Opus. I also prefer to use Beatbump to stream music I do not yet own.

    • @Quills@sh.itjust.works
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      110 months ago

      Its so sad basically all the songs/artists i like to hear aren’t on funkwhale, I’d so use it if i had a good amount of things to listen there

      • @TeddE@lemmy.world
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        310 months ago

        Yeah, since most of the public instances only make available creative commons stuff it’s better if you have a mood than particular artists. I suspect if most people switched they could find new artists to meet their tastes within a year.

        My gut suspects that an artist with a good patron following probably has as much take home pay as a similar artist that signed a record deal. If true (and that’s definitely an if), why prop up up an industry that exists to siphon as much value away from artists as possible?