Thank you so much! I does look a bit like pastel, but I do the drawing digitally.

Hey, I could see that but…I like the way this looks so see no benefit in going through the trouble embroidering. Also conceptually I like the balance of digital (digital drawing) with traditional (knitting)

Sure, took me a minute to find this specific piece. I also show pieces that are just the knitting no drawing but those are bigger allowing me to get more detail.

Thank you so much! People tend to associate knitting with positive ideas like “warmth” “hugs” comfort" and protection" I wanted the viewer to associate those ideas with the people I draw.

thank you so much!

Thank you so much! Obvs patience and practice but also studying the Timelapse’s that procreate records of me drawing. That really helped me a lot.

I had 85+ images of my art used to train AI. I think the best solution is for the current AI image training sets to be cleared and rebuilt on copyright free and opt in only content. Similar to stock photography where artists can decide for themselves if they want minimal compensation to contribute their art to the training set. This would be necessary because once the systems have been trained on an image it’s in the memory. So the only way to respect the rights of the artists after the fact is to wipe the computers and start image generation all over again but ethically. I have linked on my Mastodon https://www.youtube.com/live/uoCJun7gkbA?feature=share a senate hearing on the issue in which the lawyer from Universal Music perfectly pointed out “it’d be hard to opt out if you don’t know what has been opted in” . Additionally, this isn’t just an artist issue the training set includes photos from medical records, schools, and personal photos. Basically if you’ve ever posted a photo on the internet there’s a chance it’s in the training set. “have I been trained” is a website where you can see what is included and opt out (though as mentioned earlier that’s not a good solution) I spoke to a prominent IP lawyer in Chicago (before the class action lawsuits were public) and he pointed out that they didn’t have the right to reproduce my artwork into their training set. Their actions have been likened to a smoothie shop. They have the storefront and the blenders but they stole all the ingredients. After it’s blended you may not ALWAYS be able to recognize the strawberries BUT we know they didn’t pay for the fruit. It was stolen for their profit. Why should I be forced to provide the core product of my business to develop the core product of another (for-profit) business?? The senate hearing linked above includes many other important and valid points. Myself and many other artists I know aren’t against AI. I love tech and think it’s really fun and can be helpful, it just needs to be done ethically. I have a lot more I could add to this, hahahaha

How I get out of creative block with my art is I do side work. So that might work for knitting/crochet. Without any expectation, organize your yarn stash, build out or organize your patterns. Research yarn, or comment on knitting/crochet posts on social media. When I do the visual art equivalent of these things I find that inspiration hits and I can’t wait to get creating again! Bonus: when inspo hits your systems will be organized and ready for you to get going.

Socks are my vanilla knitting go to. I collect Sock Yarn and have learned how to knit it without looking. It’s my “I don’t know what I want to knit” or “I need a palette cleanser” project.

Don’t know if they are or not but remember they can’t offer threads in all of Europe so if they were automatically signing accounts up they couldn’t include European accounts

Thank you!☺️

Thank you! Yes it’s 30 feet of knit fabric. I’m actually exhibiting the knit film strip beside a display of a VR environment I made in spatial.io that has the animation. The piece took me a little over a month to complete. I’m happy to answer any questions ☺️

Thank you! Not at all happy to share info. All my work starts with original drawings in procreate. I turn a layer of the drawing into a knitting pattern and then knit it (in this case using 2 colors of yarn but most of my art uses 6colors) I used to do it by hand combining stranded, intarsia, and backwards knitting techniques. When I started animated I knew I needed the knitting to be faster and the stitches even more uniform cuz I wanted the crosshatch drawing still there. I started animating with a 1950’s knitting machine. This piece was made with a hacked 1980’s knitting machine. I had to rewire it and use special software to get it to talk to contemporary computers. I need to make a video about how I make 6 color tapestries with it because it took lots of time effort and crying and cursing to get it to work hahaha. But the machine and I are best friends now it made this piece possible to complete in a little over 1 month. The knit fabric is 30 feet long and will be on exhibit next month beside a VR gallery I made in Spatial.io that features the animation. Please feel free to ask more questions I’m happy to answer them☺️

Thank you! ☺️

Thank you so much🥰