Or, maybe, there’s no conspiracy and someone just spouted bs, ya know, Tuesdays.

Russian disinfo is so nefarious it gets Trump elected but at the same time it barely musters a shit opinion on S.T.A.L.K.E.R. 2 Sounds totally legit and not a shit capitalisation on the Ukrainian suffering for page views. *slow clap

Have a nice life.

*typed on Firefox running on my deck

Yes, because photorealism LUTs and reshades are equivalent to the implementation of things like subsurface scattering, modelling characters and worlds, etc. Yep, you really got me there, clearly the money being used to develop games is stupid because some dudes made a baclava using unreal 5. *slow clap

TIL we call content farms “reviewers” nowadays.

Just from the top of my head Arma III realism mod looks like, if not better than, this. On the bright side, bodycam just pulled a fast one on their monetisation so they should thank you for directing idiots to their game, so someone is getting a good holiday season.

Me neither, I guess I left the phone unlocked in the pocket.

Rent free

deleted by creator

Then you haven’t seen jack shit…

UE5 is amazing but publishers think you give middleware to a dev team and they can make a baller game like if it were a powerpoint presentation. They have laid off a significant portion of the accumulated know how to save some pennies (and because some people took advantage of some movements to take vengeance upon people like Avelone) and now they are staffed by people who are very inexperienced and frankly, untalented. To further the problems, one of the dirty secrets of the industry was to offload large swathes of the work to code monkeys from low income regions, again, to save cash. Now we’re at a point where most of the talent that survived the great purge is either captive at large publishers or working with indies. We severely lack AA games that were always scratching a very specific population’s itch (except for 4x and grand strategy, boys be eating well).

“Games look worse than they did 10 years ago, on hardware that is like 5x more powerful.”

This, as a generalisation, is not true. A critical example is Demon’s Souls (2009 vs 2020) which was quite the transformation. Nevertheless, I do agree that games have been increasingly becoming more demanding of hardware for very little pay off in terms of visual quality. One can thank NVIDIA for that. At any rate, due to said visual fidelity and graphical demands, AAA games are now hitting 9 figures in development costs which is problematic. Furthermore, the gameplay loops have seen very little evolution in the AAA space whereas companies keep dumping wads of cash on dubious graphical technology like path tracing (which we’ve seen before, those of us who were here for Giants and Larrabee). Pathtracing brings nothing to the table in terms of gameplay and is basically a tech demo to convince people to buy overpriced hardware (in terms of efficiency). Handheld on the other hand has driven people to games like balatro, vampire survivors, valheim, etc, that have very little in terms of graphical fidelity but have well crafted gameplay loops. I think that’s the market Sony is eying.

It’s speculating on the reasons, which especially for Sony, are a red herring.

People are 100% ignoring that going mobile is a red herring for the fact graphical fidelity is becoming increasingly expensive and publishers need an excuse to divest from lifelike game worlds and graphics. It’s the perfect excuse to go back to stylized games like SOTC or HiFiRush without antagonising the CoD and FiFA type crowds that send death threats when the recoil changes left 0,01mm in the latest update, or when there’s women as protagonists.

I was really sad for it after liking XII so much. I must have spent days configuring and re-configuring the gambits just to try to make a party fight without input to optimise npc routines during combat, only to override it anyway during gameplay. Such a great game. Gave me Dragon Age origins tickles those gambits

It does say a lot… Sony waited long enough for someone to come and eat their cake. That said, the world building and layers of lore are a universe ahead in bloodborne compared to P. P is a facsimile of a good soulsborne that only succeeded because Sony waited long enough for us to be so desperate as to accept anything. In a world a sequel to BB existed, P would likely fly completely under the radar.

I don’t know the split and am guilty of helping proliferate this since I own every Final Fantasy. Nonetheless, ever since XIII, which is the only one I couldn’t finish because the writing is atrocious (Flashbacks of Beverly Hills 90210 galore), the quality has gone downhill. Every release offering an ever dumbed down world and mechanics in favour of simplifying it for a broader audience. That said, Vagrant Story’s upgrade tree is my wet dream on any RPG so I can tell I’m a minority. I’d like to see a FF with complex systems like Vagrant Story (mixed with magic fusion from FFVIII) and a story drawing from Joana D’arc or the Anglo-Zulu war.

Ads are getting smarter…

Because it became an action adventure game with very little depth to the combat. This made it appealing to a wider audience (NA) but mostly antagonized fans that have been playing FF games for over 30y. FFXII was the last good single player FF, the gambit and license systems were just amazing! FFXVI has a great plot and voice acting but the combat and overall lack of strategy and tinkering were a sore disappointment.

See games 😏

They were blindsighted by the latest developments