I’m just done reading The Hundred Thousand Kingdoms by N.K. Jemisin, and The Fate of the Tearling immediately before. Starting with the latter, I liked the rest of the series, but disliked the direction it went in this last book; however, it did keep me invested right until the very last word (in the hope that things might take a different turn, admittedly). As for the former, I don’t think I have much of an opinion. It just didn’t deliver on what I was looking for.
What I’m looking for, incidentally, is quite a specific niche of fantasy stories centered on monarchies with a romantic-in-the-classical-sense portrayal. It’s a high I got off The Goblin Emperor by Katherine Addison, The Curse of Chalion by Lois McMaster Bujold, and the original Valdemar series by Mercedes Lackey, and I’ve been chasing it ever since.
I’m just done reading The Hundred Thousand Kingdoms by N.K. Jemisin, and The Fate of the Tearling immediately before. Starting with the latter, I liked the rest of the series, but disliked the direction it went in this last book; however, it did keep me invested right until the very last word (in the hope that things might take a different turn, admittedly). As for the former, I don’t think I have much of an opinion. It just didn’t deliver on what I was looking for.
What I’m looking for, incidentally, is quite a specific niche of fantasy stories centered on monarchies with a romantic-in-the-classical-sense portrayal. It’s a high I got off The Goblin Emperor by Katherine Addison, The Curse of Chalion by Lois McMaster Bujold, and the original Valdemar series by Mercedes Lackey, and I’ve been chasing it ever since.