So I always assumed these issues were because of the individual’s audio setup. I won’t try to negate others’ experiences and concerns but I don’t have these issues with any of Nolan’s films. I’m guessing it’s because I’ve had home theater speakers for years and calibrate them as well.
I thought the same, but then saw articles where the writers basically assumed the same. Then either through polls, or using a vanilla audio setup, like headphones only no EQ, they realized a lot of big name directors just suck and they actually tune the movie’s audio to be like that.
Your home theater setup is just so well fine-tuned, it can negate a lot of it. Mine is too, and I hear a lot of movies’ dialog way better at home.
I have 5.1.2 Atmos, speakers are in walls/ceiling so no behind echo, multipoint microphone tuned, and my Yamaha receiver has an “A.I. dialog boost.” (Its years old before AI blew up like it currently is). The AI boost actually does an incredible job with a proper tuned center channel.
So I always assumed these issues were because of the individual’s audio setup. I won’t try to negate others’ experiences and concerns but I don’t have these issues with any of Nolan’s films. I’m guessing it’s because I’ve had home theater speakers for years and calibrate them as well.
I thought the same, but then saw articles where the writers basically assumed the same. Then either through polls, or using a vanilla audio setup, like headphones only no EQ, they realized a lot of big name directors just suck and they actually tune the movie’s audio to be like that.
Your home theater setup is just so well fine-tuned, it can negate a lot of it. Mine is too, and I hear a lot of movies’ dialog way better at home.
I have 5.1.2 Atmos, speakers are in walls/ceiling so no behind echo, multipoint microphone tuned, and my Yamaha receiver has an “A.I. dialog boost.” (Its years old before AI blew up like it currently is). The AI boost actually does an incredible job with a proper tuned center channel.