What makes this mix so compelling is that Navarrette is able to play countless conflicting emotions all at the same time, a woman only occasionally in charge of her own body and agency. When her actions get frightening, it’s always compounded by her haunting expressions: frozen in a smile as she waits all day for Bear, maniacal as she’s running around at night or frenzied while attacking a romantic rival. Each moment feels organic and fresh, holding on to different levels of herself as she’s infiltrated by the cosmic hell she’s trapped in. It’s the movement of something inhuman trying on her skin, struggling to remain poised during every challenge posed along the way.